from french gay newspaper TETU, retranscrit pour vous sur le blog (in french !)
http://mediatik.over-blog.com/
+ a review's fan in french : concert bbc2 and the album
http://mediatik.over-blog.com/article-2846315.html
http://mediatik.over-blog.com/article-2740768.html
french reviews (in french language only)
- boyjohn
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here is the translation from google.
fart shop servant boys, basically pop If one puts side inevitable food compilations and the band announces pompeuse Potemkine Battleship recorded with the symphony orchestra of Dresden, Fundamental is the disc which makes leave the fart shop servant boys a long creative lethargy. It is the ninth album of a discography spread out over more than 20 years, produced by the wizard voodoo of the studios, the English Trevor Horn (ABC, Frankie Goes To Hollywood, Grace Jones, etc) with whom the two sensitive dandies had already worked on Left to my own devices. If the rumours had spoken about a return to the dance sources of the duet, for Neil Tennant, it were “out of question of remaking, West end girls, to pose its bottom on a chair and to claim that one was still in 1985”. Fundamental is a time mislaid towards the minimal pop option and melancholic person. But with final, it is an album or the PSB do what they can do best: anthems eurodance putassiers, lachrymal ballades carved in lace, with always in background the voice detached of Neil on texts which curl paranoia. The pop one in all its disproportion.
fart shop servant boys, basically pop If one puts side inevitable food compilations and the band announces pompeuse Potemkine Battleship recorded with the symphony orchestra of Dresden, Fundamental is the disc which makes leave the fart shop servant boys a long creative lethargy. It is the ninth album of a discography spread out over more than 20 years, produced by the wizard voodoo of the studios, the English Trevor Horn (ABC, Frankie Goes To Hollywood, Grace Jones, etc) with whom the two sensitive dandies had already worked on Left to my own devices. If the rumours had spoken about a return to the dance sources of the duet, for Neil Tennant, it were “out of question of remaking, West end girls, to pose its bottom on a chair and to claim that one was still in 1985”. Fundamental is a time mislaid towards the minimal pop option and melancholic person. But with final, it is an album or the PSB do what they can do best: anthems eurodance putassiers, lachrymal ballades carved in lace, with always in background the voice detached of Neil on texts which curl paranoia. The pop one in all its disproportion.
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- Zog
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boyjohn wrote:here is the translation from google.
fart shop servant boys, basically pop If one puts side inevitable food compilations and the band announces pompeuse Potemkine Battleship recorded with the symphony orchestra of Dresden, Fundamental is the disc which makes leave the fart shop servant boys a long creative lethargy. It is the ninth album of a discography spread out over more than 20 years, produced by the wizard voodoo of the studios, the English Trevor Horn (ABC, Frankie Goes To Hollywood, Grace Jones, etc) with whom the two sensitive dandies had already worked on Left to my own devices. If the rumours had spoken about a return to the dance sources of the duet, for Neil Tennant, it were “out of question of remaking, West end girls, to pose its bottom on a chair and to claim that one was still in 1985”. Fundamental is a time mislaid towards the minimal pop option and melancholic person. But with final, it is an album or the PSB do what they can do best: anthems eurodance putassiers, lachrymal ballades carved in lace, with always in background the voice detached of Neil on texts which curl paranoia. The pop one in all its disproportion.
Nothing like an acurate translation
-Zog
Quite hilarious! Excellent!!Zog wrote:boyjohn wrote:here is the translation from google.
fart shop servant boys, basically pop If one puts side inevitable food compilations and the band announces pompeuse Potemkine Battleship recorded with the symphony orchestra of Dresden, Fundamental is the disc which makes leave the fart shop servant boys a long creative lethargy. It is the ninth album of a discography spread out over more than 20 years, produced by the wizard voodoo of the studios, the English Trevor Horn (ABC, Frankie Goes To Hollywood, Grace Jones, etc) with whom the two sensitive dandies had already worked on Left to my own devices. If the rumours had spoken about a return to the dance sources of the duet, for Neil Tennant, it were “out of question of remaking, West end girls, to pose its bottom on a chair and to claim that one was still in 1985”. Fundamental is a time mislaid towards the minimal pop option and melancholic person. But with final, it is an album or the PSB do what they can do best: anthems eurodance putassiers, lachrymal ballades carved in lace, with always in background the voice detached of Neil on texts which curl paranoia. The pop one in all its disproportion.
Nothing like an acurate translation
-Zog
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