I consider myself a pretty big erasure fan, not PSB big, but a fan nonetheless (see what I did there?)Patrick Bateman wrote: Fri 03 May 2024, 8:07 pm I'm surprised Erasure have had so many fewer top ten albums. I know they had four number one albums to PSB's one, but their sales have really have dropped off the last couple of decades, haven't they? I blame pughie.
Erasure's biggest issue is just lack of quality/consistency and some missteps along the way. To my ears, they were very good all the way up through and including Cowboy.
Loveboat (2000) - major misstep
Other People's Songs (2003) - felt desperate, mostly a miss
Nightbird (2005) - nice solid album
Union Street (2006) - absolute garbage
Light at the End of the World (2007) - not a fan favorite but really good to my ears, some great tracks
Tomorrow's World (2011) - very meh
Snow Globe (2013) - A mostly holiday album but some non-holiday stuff ¯\_(ツ)_/¯
The Violet Flame (2014) - a little uneven but some decent tracks
World Be Gone (2017) - just terrible
The Neon (2020) - probably the most Erasure sounding album in a while but nothing overly memorable
Day-Glo (Based on a True Story) (2022) - Vince was bored
Ultimately, Erasure just haven't been able to keep the consistent quality that PSB has AND I've always felt that PSB has done enough varying stuff to feel different but still distinctly PSB. Erasure, well, just always sounds like Erasure.





