Track-by-Track: From Please to Nonetheless
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Disco.
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- retrofuturist
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Re: Track-by-Track: From Please to Nonetheless
Greetings,
Track 150: Time On My Hands
Chronology: Release FL CD1:3
As first heard on, and best suited to, Disco 3.
And as with some of the other songs on Disco 3, they weren't necessary Pet Shop Boys classics, but they were the first real sign that Pet Shop Boys were heading out of their nadir... and for that we rejoiced.
Retro.
Track 150: Time On My Hands
Chronology: Release FL CD1:3
As first heard on, and best suited to, Disco 3.
And as with some of the other songs on Disco 3, they weren't necessary Pet Shop Boys classics, but they were the first real sign that Pet Shop Boys were heading out of their nadir... and for that we rejoiced.
Retro.
"Politics are too emotional now. Contemporary culture generally is too emotional, really... I'd rather people looked to the truth." (Neil Tennant)
- leesmapman
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NotInvisible
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Re: Track-by-Track: From Please to Nonetheless
Neither here nor there for me. There's not much to say about it.retrofuturist wrote: Wed 22 Jul 2026, 4:42 am Track 150: Time On My Hands
Chronology: Release FL CD1:3
As first heard on, and best suited to, Disco 3.
And as with some of the other songs on Disco 3, they weren't necessary Pet Shop Boys classics, but they were the first real sign that Pet Shop Boys were heading out of their nadir... and for that we rejoiced.
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NOBODY75
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Re: Track-by-Track: From Please to Nonetheless
It works well on the *Disco 3* album. As a standalone track, though, I don't find it anything special. To be honest, I don't really associate it with the *Release* era.
Re: Track-by-Track: From Please to Nonetheless
I really like Time on my hands. A return to a Relentess vibe. Maybe a smidgen too banal, lyrically speaking, but not really needing more either. Less is more.
- Lleonard Pler
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Re: Track-by-Track: From Please to Nonetheless
It's one of their great album openers as it sets the mood for Disco 3. Feels out of place in the Release FL though. I was addicted to that "ninety, party" bit back then. Simple yet effective.
- retrofuturist
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Re: Track-by-Track: From Please to Nonetheless
Greetings,
Track 151: Motoring (Demo)
Chronology: Release FL CD1:4
I have no idea what they were thinking here - it's got hints of musical naffness and weird chord changes.
I guess that's why they never released it until they were looking for Further Listening material in the vaults.
Retro.
Track 151: Motoring (Demo)
Chronology: Release FL CD1:4
I have no idea what they were thinking here - it's got hints of musical naffness and weird chord changes.
I guess that's why they never released it until they were looking for Further Listening material in the vaults.
Retro.
Last edited by retrofuturist on Thu 23 Jul 2026, 8:03 am, edited 1 time in total.
"Politics are too emotional now. Contemporary culture generally is too emotional, really... I'd rather people looked to the truth." (Neil Tennant)
- Lleonard Pler
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- leesmapman
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Re: Track-by-Track: From Please to Nonetheless
It starts out very annoying and weird but ends up al right. Not something I'd listen too much.
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Neilatrone
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Re: Track-by-Track: From Please to Nonetheless
Motoring proves that not everything you create is good in a long-lasting and stellar career.
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rathound
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Re: Track-by-Track: From Please to Nonetheless
its horrible. but its an experiment and shoved it on a b-side collection so fine.
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NOBODY75
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Re: Track-by-Track: From Please to Nonetheless
Without a doubt, a more than worthy finalist in the contest... The worst Pet Shop Boys song.
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davidctecno
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Re: Track-by-Track: From Please to Nonetheless
Time On My Hands is a fantastic track! 70-80-90-Party is very Cool!
Motoring:
It’s awful. Not everything is worth releasing: there was no need to put out this demo. There are some demos in the *Further Listening* sets that don't add anything of value.
Motoring:
It’s awful. Not everything is worth releasing: there was no need to put out this demo. There are some demos in the *Further Listening* sets that don't add anything of value.
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Sammy Jenkis
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Re: Track-by-Track: From Please to Nonetheless
It's not an attempt to write in the style of Brecht/Weill by any chance? The combination of chord change, production and tune remind me of what keeps mankind alive.