Track-by-Track: From Please to Nonetheless

[NotInvisible]

Motoring:
It’s awful. Not everything is worth releasing: there was no need to put out this demo. There are some demos in the *Further Listening* sets that don't add anything of value.

I agree it's awful, but it raises an interesting question. Would we rather have a perfectly curated catalogue or would we rather have a chance to hear the doodles, sketches and missed targets?

[NOBODY75]

It's not an attempt to write in the style of Brecht/Weill by any chance? The combination of chord change, production and tune remind me of what keeps mankind alive.

Initially, I’d lean towards option B. But then I listen to Motoring, and I jump headfirst into option A.

[NOBODY75]

Motoring:
It’s awful. Not everything is worth releasing: there was no need to put out this demo. There are some demos in the *Further Listening* sets that don't add anything of value.

I agree it's awful, but it raises an interesting question. Would we rather have a perfectly curated catalogue or would we rather have a chance to hear the doodles, sketches and missed targets?

Initially, I’d lean towards option B. But then I listen to Motoring, and I jump headfirst into option A.

[leesmapman]

its horrible. but its an experiment and shoved it on a b-side collection so fine.

Not even on a b-side collection

[leesmapman]

I agree it's awful, but it raises an interesting question. Would we rather have a perfectly curated catalogue or would we rather have a chance to hear the doodles, sketches and missed targets?

I'm for option B, if only to see how an artist progressed. If you look at Jean-Michel Jarre, there's a huge leap between Magnetic Fields and Zoolook. Turns out that when you listen to Music For Supermarkets, which is released between these two albums, in a total print run of 1 so it was hard to listen to for years, you see the transition between these other two albums.

[retrofuturist]

Greetings,

Let's keep motoring along.

Track 152: Love Life
Chronology: Release FL CD1:5

Originally written for Alcazar, later released as a limited edition RSD 7".

Not an especially powerful or engaging song, rather repetitive, but made pleasant enough through its nu-disco stylings.

Retro.

[leesmapman]

It's a poppy song, and better than I always remember. Every time I play it I think: yeah, this is rather good, isn't it?