The negativity towards Bilingual

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Syncratic
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Joined: Sun 01 Aug 2004, 1:33 am

#61 Post by Syncratic »

petshopgirlxxx wrote:It could be because some fans resented the 'Latino beats" (for want of a better word). Like Release for example, and how many resented the 'guitar-based sound'.
You're right we just hate anything that reminds us of Spain.

Chrispsb
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Joined: Sun 09 Nov 2003, 1:57 pm

#62 Post by Chrispsb »

Yeah, and those dreadful guitars. *lol*

stew

#63 Post by stew »

Chrispsb wrote:Deep inside their heart, I think most of PSB fans love Se a vida é, Go West and New York City boy. ;)

yeh you never hear anyone that they finish with west end girls when ever they are live do ya!

Chrispsb
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#64 Post by Chrispsb »

I never used to like West End girls to be honest.

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Dreamcatcher2003
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Re: The negativity towards Bilingual

#65 Post by Dreamcatcher2003 »

Monty-- wrote:I haven't been on this board for long but one thing hasn't escaped me is an underlying negativity from the fans towards 'Bilingual' which surprises me. I think 'Bilingual' is their second best album aside from 'Very'. There are at least FIVE classics on that album!

1.Discoteca
2.Up Against It
3.The Survivors
4.A Red Letter Day
5.It Always comes As A Surprise

Why are fans SO against this album?
I would happily add To Step Aside which is gorgeous and in the same vein like Young Offender.

I am also surprised why Very is always regarded as the best; it was lacking that urban bitterness that made PSB so unique in its own (except for Can you forgive her and Young Offender) padded with beeps, boops and a false enthuasism...it has also aged worse than Actually, Please or Introspective...
The CELL by Stephen King instantly hit number 1 in New York Times Bookseller Lists selling well over 200 thousand copies in three weeks. This affirms my opinion: People really need an occassional good horror read...

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rabagast
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Re: The negativity towards Bilingual

#66 Post by rabagast »

Dreamcatcher2003 wrote: I am also surprised why Very is always regarded as the best; it was lacking that urban bitterness that made PSB so unique in its own (except for Can you forgive her and Young Offender) padded with beeps, boops and a false enthuasism...it has also aged worse than Actually, Please or Introspective...
...but gosh, those beeps and boops sounded great back then, didn't they :wink:

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