Russell T Davies It’s a sin spin-off danceathon thing

[Nickname]

It looks obvious they they want to be involved on another musical

This isn't a musical.

Maybe not but that's similar in a way.

[Vintage Youth]

It looks obvious they they want to be involved on another musical, "Closer to Heaven" was not a good experience for them. They are involved on the ballet and I suppose writting more songs for a musical is now too much.

Of course, they are going to be executive producers but nothing else on terms of music.

Well we are probably going to get Naked at some point...

Well, that's very presumptuous of you, but why not!!

[NotInvisible]

Maybe not but that's similar in a way.

The Pet Shop Boys not writing songs or music for a theatrical performance is the opposite of similar!

[Sandy Shaw]

Priority booking opening soon. 2027 dates, Manchester Edinburgh and Cardiff. More venues and dates to come.
https://itsasin-rambert.com/

Tour dates
Aviva Studios, Manchester
16 - 27 Feb 2027

Théâtres de la Ville, Luxembourg
4 - 7 Mar 2027

The Liverpool Empire, Liverpool
6 - 10 Apr 2027

Hippodrome, Birmingham
27 Apr - 1 May 2027

Theatre Royal, Plymouth
11 - 15 May 2027

Mayflower Theatre, Southampton
20 - 22 May 2027

Milton Keynes
Milton Keynes Theatre
25 - 29 May

Festival Theatre, Edinburgh
8 - 12 Jun 2027

Norwich Theatre Royal, Norwich
15 - 19 Jun 2027

Theatre Royal, Newcastle
29 Jun - 3 Jul 2027

Wales Millenium Centre, Cardiff
6 - 10 Jul 2027

Hall for Cornwall, Truro
22 - 25 Sep 2027

Sadler's Wells, London
5 - 16 Oct 2027

The Theatre Royal, Glasgow
2 - 6 Nov 2027

Lyceum Theatre, Sheffield
9 - 13 Nov 2027

[DopeFiend]

Article published today regarding this theatrical experience.
https://norwichtheatre.org/ramberts-liv ... -producer/

Here's a snippet:

Expanding the world of the beloved television drama, the production brings together an extraordinary creative team. Shaping the musical landscape Composer and Music Supervisor Roman Gian Arthur (Grammy nominated albums multi-instrumentalist credits include Janelle Monáe’s Dirty Computer and The Age of Pleasure) will compose the music with the support of executive producers Pet Shop Boys to evoke the glamour, defiance and emotional intensity of 1980s queer life. Set and video design comes from Luke Halls Studio (West Side Story, concerts from Adele, Pet Shop Boys, Dua Lipa, Take That), whose work spans global arena tours and major stage productions.

Personally I don't fully understand what this is. Theatre isn't really my scene.
I'm just curious if any PSB music will come about from this, that's all I care about.
"will compose the music with the support of executive producers Pet Shop Boys" sounds like they're making music.
I don't know if we'll get a soundtrack akin to My Beautiful Laundrette or the Closer To Heaven demos, or Musik, or anything at all.
But there's the article for those interested.

[Gabby]

I concur. I'm pretty indifferent about this unless there's some new PSB music associated with it.

The TV series was good, but not sure it really translates to a dance performance.

[Sandy Shaw]

Personally I don't fully understand what this is. Theatre isn't really my scene.
I'm just curious if any PSB music will come about from this, that's all I care about.
"will compose the music with the support of executive producers Pet Shop Boys" sounds like they're making music.
I don't know if we'll get a soundtrack akin to My Beautiful Laundrette or the Closer To Heaven demos, or Musik, or anything at all.
But there's the article for those interested.

I don't see them writing for this...

''Shaping the musical landscape Composer and Music Supervisor Roman Gian Arthur (Grammy nominated albums multi-instrumentalist credits include Janelle Monáe’s Dirty Computer and The Age of Pleasure) will compose the music with the support of executive producers Pet Shop Boys to evoke the glamour, defiance and emotional intensity of 1980s queer life''.

[TG]

RTD on the One Show on the BBC tonight

[greenmile]

I can't help but get 'Gay! - A Gay Musical' from the IT Crowd episode vibes from this every time I hear about it.

[Capsigrany]

Curious to know the approach of their executive-producers role. Anyone could give some light on that role in this kind of projects?
If they are involved in the songwriting as well, we could get a bunch of great dance tracks. Fingers crossed!

[Dog]

Curious to know the approach of their executive-producers role. Anyone could give some light on that role in this kind of projects?
If they are involved in the songwriting as well, we could get a bunch of great dance tracks. Fingers crossed!

Think of them as “creative consultants”, rather than anything hands on. They will be artistic mentors, with a view on the ultimate vision for the show. Their role will be to help the creatives - and particularly the composer - achieve it.

Russell T Davies will likely see Neil and Chris as kind of custodians of the It’s A Sin brand, given he has chosen to name the show after one of their songs. Even though they aren’t writing or producing the music, he will want the score to be informed by the PSB aesthetic, their emotional tone and their lived experience. Having their name attached to the production helps give it an authenticity and will help it stay true to the era it is trying to capture.

Their input will likely be taken through irregular meetings. Maybe they will sit down with the composer and give ideas or notes on drafts.

When they were (uncredited) Executive Producers for Dusty’s album they asked for a sax part to be replaced by an Emulator. This sounds like a small thing but it will have helped the project remain truer to overall PSB vision and values, without them sitting at a keyboard or writing or performing on every track. When Neil was Executive Producer on Rufus Wainwright’s Release The Stars, again he helped with the edit - advising on what to include and what to take out.

Their presence here is a kind of artistic compass and their instincts around tone, atmosphere, sound, historical accuracy and authenticity will help guide the production so it feels rooted in the same world that inspired their songs.

For us as fans we can be sure that this will feel truly PSB-adjacent!

[Sandy Shaw]

Curious to know the approach of their executive-producers role. Anyone could give some light on that role in this kind of projects?
If they are involved in the songwriting as well, we could get a bunch of great dance tracks. Fingers crossed!

Think of them as “creative consultants”, rather than anything hands on. They will be artistic mentors, with a view on the ultimate vision for the show. Their role will be to help the creatives - and particularly the composer - achieve it.

Russell T Davies will likely see Neil and Chris as kind of custodians of the It’s A Sin brand, given he has chosen to name the show after one of their songs. Even though they aren’t writing or producing the music, he will want the score to be informed by the PSB aesthetic, their emotional tone and their lived experience. Having their name attached to the production helps give it an authenticity and will help it stay true to the era it is trying to capture.

Their input will likely be taken through irregular meetings. Maybe they will sit down with the composer and give ideas or notes on drafts. When get were Executive Producers for Dusty’s album they asked for a sax part to be replaced by an Emulator. This sounds like a small thing but it will have helped the project remain truer to overall PSB vision and values, without them sitting at a keyboard or writing or performing on every track. When Neil was Executive Producer on Rufus Wainwright’s Release The Stars, again he helped with the edit - advising on what to include and what to take out.

Their presence here is a kind of artistic compass and their instincts around tone, atmosphere, sound, historical accuracy and authenticity will help guide the production so it feels rooted in the same world that inspired their songs.

For us as fans we can be sure that this will feel truly PSB-adjacent!

Well put, Dog!

[Capsigrany]

Thanks Dog!

[TG]

From the OS 01/06
It’s a sin”, the new dance show adaptation of the award-winning Channel 4 series developed by Rambert and executive-produced by PSB and Russell T Davies, will embark on a major tour from February 2027.

After an exclusive first look at Mighty Hoopla festival last night, priority access to tickets for the 2027 dates in Manchester, Edinburgh and Cardiff is now available to Factory International members and those who subscribed to the show newsletter earlier this year. If you have previously signed up for more info about the show please make sure to check your inbox for your booking link. The general sale for these dates begins this Friday at 10 am BST.
Tickets for further UK dates will be made available in the coming weeks. More information and a full list of venues is available via the link below.
Visit the Rambert website

[Sandy Shaw]

Footage from Mightly Hoopla...

https://www.instagram.com/reel/DZFaMrftgdS/