joncool5 wrote:'Flamboyant' was good enough to be a huge hit as it had a killer melody. The dated production of the track and the fact that you have a 50 year old bloke singing about flamboyance probably alienated the casual buyer.
Flamboyant wasn't good enough to be a huge hit. The lyrics were a massive let down and using a production line of an one hit wonder of 18 months ago wasn't a good idea. Who wants to listen to a social butterfly go on and on about a subject matter that concernes precisely noone? And the usual 'Ooh, aren't I clever' lines such as the whole middle bit and the tacky/Miyake rhyme didn't help a lot.
Miracles deserved to be massive but after years of destroying their hit potential by substandard releases and destroying their image, noone cared.
I think Miracles was a good single (it was top ten, selling the first week more than Enrique Iglesias single, for example).
But they haven't done a HUGE single for ages (talking in quality terms, not in commercial terms). I still thinking PSB haven't could reach the quality of songs like It's a sin, Westend Girls or Left to my own devices).
Psb haven't yet bothered to play "Miracles" live and that's saying a lot.
Real hit single material should be the highlight of a show like "Always on my mind" or "Go west". They should ask themselves "Can this be played as an encore fo a show?" if they want another hit.
People have certain expectations on a Psb single, how it should sound like, and Psb they haven't played by the rules in recent years, just like Kylie didn't in the 90's.
They used to keep their darker moody side to the album and bonus tracks, until "Bilingual". That has never been a recipe fo success.
I think "Flamboyant" was a move in the right direction, just not good enough.
Even though radio isn't doing Psb any favours these days, they still recognize a hit single when they hear one.
markus wrote:Psb haven't yet bothered to play "Miracles" live and that's saying a lot.
Real hit single material should be the highlight of a show like "Always on my mind" or "Go west". They should ask themselves "Can this be played as an encore fo a show?" if they want another hit.
People have certain expectations on a Psb single, how it should sound like, and Psb they haven't played by the rules in recent years, just like Kylie didn't in the 90's.
They used to keep their darker moody side to the album and bonus tracks, until "Bilingual". That has never been a recipe fo success.
I think "Flamboyant" was a move in the right direction, just not good enough.
Even though radio isn't doing Psb any favours these days, they still recognize a hit single when they hear one.
Neil would struggle to sing Miracles live to be honest and I don't think PSB had a major influence over the track...
markus wrote:Psb haven't yet bothered to play "Miracles" live and that's saying a lot.
Real hit single material should be the highlight of a show like "Always on my mind" or "Go west". They should ask themselves "Can this be played as an encore fo a show?" if they want another hit.
People have certain expectations on a Psb single, how it should sound like, and Psb they haven't played by the rules in recent years, just like Kylie didn't in the 90's.
They used to keep their darker moody side to the album and bonus tracks, until "Bilingual". That has never been a recipe fo success.
I think "Flamboyant" was a move in the right direction, just not good enough.
Even though radio isn't doing Psb any favours these days, they still recognize a hit single when they hear one.
So, post-Bilingual they started choosing 'darker' singles such as Before, Se A Vida E, Red Letter Day, Somewhere, New York City Boys etc. ?
markus wrote:Psb haven't yet bothered to play "Miracles" live and that's saying a lot.
Real hit single material should be the highlight of a show like "Always on my mind" or "Go west". They should ask themselves "Can this be played as an encore fo a show?" if they want another hit.
People have certain expectations on a Psb single, how it should sound like, and Psb they haven't played by the rules in recent years, just like Kylie didn't in the 90's.
They used to keep their darker moody side to the album and bonus tracks, until "Bilingual". That has never been a recipe fo success.
I think "Flamboyant" was a move in the right direction, just not good enough.
Even though radio isn't doing Psb any favours these days, they still recognize a hit single when they hear one.
So, post-Bilingual they started choosing 'darker' singles such as Before, Se A Vida E, Red Letter Day, Somewhere, New York City Boys etc. ?
yup!
well, New York city boy being one exception to the rule, AND their biggest hit in recent ears...Yes I'm sticking to my story, I'd say there's something dark and heavy about most of the post Very singles, not exactly the stuff that makes people turn their radios up, start dancing and clapping hands.
markus wrote:Psb haven't yet bothered to play "Miracles" live and that's saying a lot.
Real hit single material should be the highlight of a show like "Always on my mind" or "Go west". They should ask themselves "Can this be played as an encore fo a show?" if they want another hit.
People have certain expectations on a Psb single, how it should sound like, and Psb they haven't played by the rules in recent years, just like Kylie didn't in the 90's.
They used to keep their darker moody side to the album and bonus tracks, until "Bilingual". That has never been a recipe fo success.
I think "Flamboyant" was a move in the right direction, just not good enough.
Even though radio isn't doing Psb any favours these days, they still recognize a hit single when they hear one.
So, post-Bilingual they started choosing 'darker' singles such as Before, Se A Vida E, Red Letter Day, Somewhere, New York City Boys etc. ?
yup!
well, New York city boy being one exception to the rule, AND their biggest hit in recent ears...Yes I'm sticking to my story, I'd say their something dark and heavy about most of the post Very singles, not the stuff that makes people turn their radios up, start dancing and clapping hands.
The only 'dark' PSB single I can think of post-Very is I don't know what you want but I can't give it any more.
But, its also exceptionally dull, hence it flopped.
Zeus On The Loose wrote:
So, post-Bilingual they started choosing 'darker' singles such as Before, Se A Vida E, Red Letter Day, Somewhere, New York City Boys etc. ?
yup!
well, New York city boy being one exception to the rule, AND their biggest hit in recent ears...Yes I'm sticking to my story, I'd say their something dark and heavy about most of the post Very singles, not the stuff that makes people turn their radios up, start dancing and clapping hands.
The only 'dark' PSB single I can think of post-Very is I don't know what you want but I can't give it any more.
But, its also exceptionally dull, hence it flopped.
Ok, which one of the post-Very singles would you play at a party to lift up the atmosphere and get people dancing?
Red Letter Day is a cheesy disco stomper in a major, the Radio Edit of which was produced by Motiv8. There's nothing dark and heavy about it whatsoever.
