Twentieth Century

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Calippo-Man
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Joined: Tue 04 Nov 2003, 9:58 pm

#46 Post by Calippo-Man »

Lets face it, this track is bloody awful. Twee naff lyrics, silly boppy tune. The chorus is laughable.

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CroMagnon
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#47 Post by CroMagnon »

We know that they're not going to release SAGS; EMI have blocked the idea. I think it's highly unlikely that we'll get 4 singles, so how about:

1) I'm with stupid
2) Integral
3) Numb / Minimal (double A-sde)

Minimal and Numb would be a good combination, commercially, as (hopefully) the soft-rock stations (Heart FM etc.) would pick up Numb, while we'd get lots of Minimal remixes; I'd hope, too that Minimal has the potential to be a sizeable club hit.
Love comes quickly, but is a catastrophe and a bourgeois construct etc.

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drunk14
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#48 Post by drunk14 »

EMI said only: TSAGS will not be FIRTS single, but EMI not said :TSAGS will not be generally release as single.
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stew

#49 Post by stew »

i swear people are doing these threads just to lay into the people who jhavent heard these tracks yt!

howver i still wait till released.

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kimphilby
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#50 Post by kimphilby »

I'm loving Twentieth Century at the moment.

"Sometimes the solution is worse than the problem
Let's stay together"

A great Tennant lyric.

Syncratic
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#51 Post by Syncratic »

It's not fantastic by any means but it's better than I thought it would be from the 'reviews' and I feel it's stronger than CIH and Numb which try too hard. It's not really an album track though.

I not sure about the way he's singing it, in a low clipped voice as if he's a bit embarassed about it.

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ceejay
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#52 Post by ceejay »

I really love Twentieth Century. In the short space of time since I`ve bought the CD I`ve played that and Luna Park much more than the rest of Fundamental yet.
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Deschanel
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#53 Post by Deschanel »

I really love it. I've read people dissing it too, but I prefer it over Casanova and Indefinite .. and Sodom for that matter.

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Danimal
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#54 Post by Danimal »

In a way, it is sort of a sequel to "Why don't we live together?"

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kimphilby
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#55 Post by kimphilby »

It's very Miserablism. Which i love.

cannibal

#56 Post by cannibal »

I don't dislike it, but it sounds uncannily like Momus - circa early nineties (without the eye-patch).

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nekko
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#57 Post by nekko »

I always feel it's going to fade into Minimal from 3:50... Am I the only one ?

It also uses the same "whispering" sound as "Rent" in this ending part.

Well, that's what my ears belive :)

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Janet Street-Porter
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#58 Post by Janet Street-Porter »

I like this a lot more in the context of the album than I did as a mp3. It does sound extremely Behaviourish, doesn't it?

Tomas
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#59 Post by Tomas »

Lleonard Pler wrote:I'd say that this bit:

"when the statues fall
Everyone came to destroy what was wicked
But they killed all that was good as well "

Is about Irak's invasion.

But the song is supposed to be about 20th century?

So either it's mis-titled, or is it some general picture (though I'm not sure which worldwide-known 20th century invasion should be blamed to bring 50 % good and 50 % bad (and I'm not sure that Irak's invasion either).
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Tomas
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#60 Post by Tomas »

Vince wrote:they never released 4 singles in Bilingual
Before, Se A Vida É, Single-Bilingual, A Red Letter Day.
Plus we might count Somewhere which was out to promote Somewhere show but maybe also the Bilingual special edition set.
PeT sHoP bOyS aT dEaD oF nIgHt
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Your one-stop source for 80+ PSB MIDIs,
plenty of unique photographs and much more...

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