Track-by-Track: From Please to Nonetheless
Posted: Sun 17 Mar 2024, 12:07 pm
This thread is for daily discussion of a Pet Shop Boys track, selected in chronological order, from studio albums starting with Please – including Further Listening – to the new album. The idea is to allow a 24-hour period of discussion for each track – then we move on to the next one. The first 11 albums will follow the Further Listening chronology (any track appearing more than once will have all of its versions discussed on first appearance). From Electric, we will follow the chronology of each single’s bonus tracks after discussing the studio album (and we will include the Annually EPs). These “rules” are so that everybody will know what the “next” track for discussion is.
Track 1: Two divided by zero
Chronology: Please, Track 1
This has a special place in the catalogue. Not only does it open Please, it effectively opens an entire career with an initial tale of escapology, clandestine romance, and mystery under cover of darkness. All the now-familiar recurring themes are to be found: the nagging concern over money, the urge to elope, and the exciting possibility of a new beginning. New York is the final destination - but we never really know if they get there. Like many Pet Shop Boys songs, the excitement and drama is to be found in the thought of escape - rather than in any actual break from mundanity itself.
I love this song to this day because it captures a sense that everything is thrillingly possible – even if it never actually happens. "Let's not go home" is a declaration to delay a return to domestic ennui. It outlines only a plan ("Tomorrow morning, we'll be miles away...") – rather than an actual escape… And that is key.
This possibility of departing from the, rarely satisfying, "here and now" will become a Pet Shop Boys leitmotif, and it is precisely this possibility that provides hope. To me, a train station platform seems to encapsulate their spirit of adventure, for it is here that they so often launch their plans for escape. Of course, their train is likely broken down (as in Birthday boy) because the thought of escape is almost always more alluring than the act itself. Even if they don’t actually depart, the sense of wonderment at what might happen if they do is always prevalent.
From Two divided by zero to Will-o-the-wisp, this theme of escape runs right through their entire oeuvre. Each track in their hallowed catalogue seems to represent another length of rail on which they can plot their triumphant departure. There is always a train to take to another place and time. As a means of drawing one in, there's hardly a better way to open an album than with the promise of adventure. And, oh, what adventures we will have…or, at least, plan to have.
Drico.
Tomorrow: West End girls (for anybody who wants to kick that discussion off), but today, have at Two divided by zero...
Track 1: Two divided by zero
Chronology: Please, Track 1
This has a special place in the catalogue. Not only does it open Please, it effectively opens an entire career with an initial tale of escapology, clandestine romance, and mystery under cover of darkness. All the now-familiar recurring themes are to be found: the nagging concern over money, the urge to elope, and the exciting possibility of a new beginning. New York is the final destination - but we never really know if they get there. Like many Pet Shop Boys songs, the excitement and drama is to be found in the thought of escape - rather than in any actual break from mundanity itself.
I love this song to this day because it captures a sense that everything is thrillingly possible – even if it never actually happens. "Let's not go home" is a declaration to delay a return to domestic ennui. It outlines only a plan ("Tomorrow morning, we'll be miles away...") – rather than an actual escape… And that is key.
This possibility of departing from the, rarely satisfying, "here and now" will become a Pet Shop Boys leitmotif, and it is precisely this possibility that provides hope. To me, a train station platform seems to encapsulate their spirit of adventure, for it is here that they so often launch their plans for escape. Of course, their train is likely broken down (as in Birthday boy) because the thought of escape is almost always more alluring than the act itself. Even if they don’t actually depart, the sense of wonderment at what might happen if they do is always prevalent.
From Two divided by zero to Will-o-the-wisp, this theme of escape runs right through their entire oeuvre. Each track in their hallowed catalogue seems to represent another length of rail on which they can plot their triumphant departure. There is always a train to take to another place and time. As a means of drawing one in, there's hardly a better way to open an album than with the promise of adventure. And, oh, what adventures we will have…or, at least, plan to have.
Drico.
Tomorrow: West End girls (for anybody who wants to kick that discussion off), but today, have at Two divided by zero...