Posted: Mon 12 Sep 2005, 5:55 pm
jamie1978 wrote:All I can say, is thank God you dont work in A&R for Parlophone.amandote wrote:
Footsteps is great.
Jamie, we're so different
I like to think of it as home...
https://www.petshopboys-forum.com/
jamie1978 wrote:All I can say, is thank God you dont work in A&R for Parlophone.amandote wrote:
Footsteps is great.
Jamie, we're so different
Hey, why not choosing another 4 'greatest albums'?One of the crowd wrote:I voted for Disco 2
So true. They really shot themselves in the forr by writing Nightlife and CTF in tandem. With the confusion as to which track is going to end where, Nightlife ended up as two thirds of a classic album with some serious quality control problems on the last third and b-sides.Janet Street-Porter wrote:Nightlife suffers from Closer to Heavenitis.
Quite agreed. For most of 80s fans, Bilingual appears to be much better than Very or Behaviour thanks to its sarcastic urban anxiety sound and cold music- for 80s fans Very sometimes appears to be a parody of PSB itself- except for Young Offender and the suberp Can you forgive her?...with that overly excited or saccharine happiness or irritating backvocals to keep PSB updated -listen to the Theater with all those silly "yeahs" in the background- women backvocals with full of "yeahs" were very popular those days it just didn't fit PSB.Grover wrote:I am not part of that majority. I became a fan in the eigthies and at the time I -indeed- was rather dissapointed by Behaviour. I guess the more I grew up, the more I could appreciate an album like Behaviour. I am more a 80's kind of PSB fan I guess. Almost everything they did in the 80's was just great. At least, for me. And indeed... when the first single of 'Very' was released (Can you forgive her?) I thought....'yes!!! finally some single that is typical (or should i say : 'very'....) PSB! Can you forgive her? is just brilliant. Music-wise, lyrics-wise and video-wise.Zeus On The Loose wrote:Behaviour is not generally regarded as their best album, it's just a big favourite among the current fanbase on the internet, the majority of which became PSB fans in the 90's. It was generally considered a disappointment at the time and tons of people stopped liking PSB because of it, then briefly came back with Very and totally lost hope after it.
Their best album objectively is Actually, though my fave is Please.
I certainly did not loose hope after it. In my view 'Very' is overrated. 'Actually', for example is a much better (meaing: i like it much better) album indeed. When I first heard 'Billigual' in the record shop... I listened to the total album in one go. It thought is was fantastic. This album sounded good from the beginning... whereas some other albums.... had to grew on me. I still believe 'Billigual' is a fantastic album. I can't believe so many fans dish it. I lost some hope when Nightlife came out. I thought this was the very first album that somehow did not sound like PSB. Even 'Release' is more PSB then Nightlife. I am not kidding.But.... I think the PSB produced some of their best music during the Release era. You just listen to their B-sides from that era and you'll know what I mean. Warm, beautiful, full of emotion. Yes, I certainly didn't lost my hopes then.
Well, I was well into PSB in 1993, but still Very seemed like a dream come true. Still I think the first 7 songs and the way they flow together match any 7 songs on any album I own. It still sounds like a perfect pop album to me and their career highlight. 1 And 1 Makes 5 plus 1 In A 1 000 000 are mediocre in a generic way, but other than that, the album is sheer class. If they had replaced the former with Too Many People and the latter with Shameless (both songs are very similar in mood and tempo to their counterparts), the end result would have been flawless in my books.jamie1978 wrote:Very was the first PSB album I bought, around Xmas 93 when 'I wouldn't normally...' was getting heavy airplay.
I was hugely dissapointed. Can you forgive her? was brilliant, 'I wouldnt normally' was radically different to the version I knew and loved, and many of the tracks sounded pale and washed out. In fact, the only songs on the album I really liked were Can you forgive her? and Yesterday, when I was mad.
It grew on me over time, but I still dislike 'A different point of view', 'One and one make five' and 'One in a million' to the point that I cannot listen to them.
I don't believe I am alone in thinking that despite the three very strong lead singles from Very, it was a real dissapointment to many casual fans or new buyers at the time. Myself included.
But, by then of course, I had caught the Pet Shop Boys 'virus', as as we are all aware, its an incurable disease.
But what did the peeps in the Metallica forum think of those "yeahs"?Dreamcatcher2003 wrote:with that overly excited or saccharine happiness or irritating backvocals to keep PSB updated -listen to the Theater with all those silly "yeahs" in the background- women backvocals with full of "yeahs" were very popular those days it just didn't fit PSB.
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Exactly. Very Relentless is my favourite PSB package ever; it was so perfect right down to Postscript after Go West. I agree with you about the possible inclusion of Shameless and Too Many People but these are minor quibbles. I think we got so used to their brilliance that we were actually spoilt and the post-Very era was bound to disappoint.Eldritch wrote:Well, I was well into PSB in 1993, but still Very seemed like a dream come true. Still I think the first 7 songs and the way they flow together match any 7 songs on any album I own. It still sounds like a perfect pop album to me and their career highlight. 1 And 1 Makes 5 plus 1 In A 1 000 000 are mediocre in a generic way, but other than that, the album is sheer class. If they had replaced the former with Too Many People and the latter with Shameless (both songs are very similar in mood and tempo to their counterparts), the end result would have been flawless in my books.
True. It's not even looking at the gift horse at the mouth; it's more like checking its pedicure and complaining about its elocution skills.Janet Street-Porter wrote:these are minor quibbles.