BTW, Hi - I'm new
Anyone know how Fundamental is doing in Europe?
-
steviekwala
- Posts: 8
- Joined: Fri 21 Jul 2006, 3:51 pm
Anyone know how Fundamental is doing in Europe?
I know it isn't doing terribly well in the UK but I always imagine the European market to be much more open to the PSB's than the UK. Anyone have any figures? Thanks - it'd make me feel much better if I thought they were getting the appreciation they deserve somewhere 
BTW, Hi - I'm new
BTW, Hi - I'm new
-
Home and Dry
- psb-freak
- Posts: 6104
- Joined: Tue 28 Oct 2003, 4:42 pm
- Contact:
- MD
- Posts: 655
- Joined: Wed 07 Jun 2006, 8:00 am
Don't have anything recent. But the last worldwide # was 150.000. At the time that number incorperated 30.000 copies in the UK. UK sales have now hit 50.000 copies.The US release has added around 10.000 copies. So as of a week or two ago it had a total worldwide sales # of 180.000 copies sold.
This is a very very good start, about two times as many copies sold, at the same point, as the last two studio albums. EMI is looking for 1.000.000( minimal) copies sold over the life of the record. That is over the next 2 or 3 years. If it continues to sell as well it will very likely sell more than 1.000.000.
If your interested, the total worldwide sales for the last two studio albums was;
Release 950.000 copies
Nightlife 1.300.000 copies
This is a very very good start, about two times as many copies sold, at the same point, as the last two studio albums. EMI is looking for 1.000.000( minimal) copies sold over the life of the record. That is over the next 2 or 3 years. If it continues to sell as well it will very likely sell more than 1.000.000.
If your interested, the total worldwide sales for the last two studio albums was;
Release 950.000 copies
Nightlife 1.300.000 copies
"Not everyone is lucky enough to understand how delicious it is to suffer"
- Dreamcatcher2003
- Posts: 798
- Joined: Wed 17 Dec 2003, 6:45 pm
- Contact:
- pierre
- Posts: 186
- Joined: Wed 29 Oct 2003, 12:08 am
I'm a bit surprised by those numbers. I thought that Pet Shop Boys tended to sell massively in the first few weeks after release thanks to their loyal fanbase but that sales were diminishing rapidly after that.MD wrote: This is a very very good start,
Still, if your numbers are right. The sales in the first few weeks for Release were abysmal (less than 100,000) but the album still managed to sell almost 1,000,000. I'm curious to know where you get your numbers from. If they are correct, it means the commercial appeal of the PSB is in much better health than I thought.
- BlueSwan
- Posts: 2635
- Joined: Wed 29 Oct 2003, 6:42 pm
What's your source on this. Those numbers look very inflated to me.MD wrote:If your interested, the total worldwide sales for the last two studio albums was;
Release 950.000 copies
Nightlife 1.300.000 copies
http://www.soundcloud.com/blueswan (Blue Swan tracks, my solo tracks and remixes)
http://soundcloud.com/groups/inspired-by-pet-shop-boys (A collection of various artists PSB covers, PSB remixes and original songs inspired by PSB - anyone interested can contribute tracks)
http://soundcloud.com/groups/inspired-by-pet-shop-boys (A collection of various artists PSB covers, PSB remixes and original songs inspired by PSB - anyone interested can contribute tracks)
- MD
- Posts: 655
- Joined: Wed 07 Jun 2006, 8:00 am
Hi everyone,
I will answer all your questions below. But first I need to correct my numbers data. Sorry for this but I posted them from memory when I should have taken the time to have a re-look to be sure that my recollection was correct
I will also expand them with sales figures for the other studio albums that I have sales info for.
Sales:
Release 800.000 or 950.000( read below)
Nightlife 1.200.000
Bilingual 1.500.000
Very 4.000.000
[b]Dreamcatcher2003 [/b]said
"I never thought Release did so well"
While it was thier least selling disk it still made PSB, and thier label of course, a nice profit
[b]BlueSwan said[/b]
"What's your source on this. Those numbers look very inflated to me."
With regard to Realese two sources; 800.000 according to Wikipedia and 950.000 acording to Neil in an interview.All others Wikipedia
[b]pierre said[/b]
" I'm a bit surprised by those numbers. I thought that Pet Shop Boys tended to sell massively in the first few weeks after release thanks to their loyal fanbase but that sales were diminishing rapidly after that. "
All established acts come out of the gate with a surge of sales generated by the hard-core fanbase. Hard-core refers to fans like you ( I assume/hope) and me who keep intouch with a band/singer/artists progress and will know the realese date of a new single/album months in advance.
However, we make up a relatively small portion of any given acts larger fanbase. Many more fans will only know about the new single/album when they hear it on the radio. Others, like me, who don't listen to the radio a great deal will become aware when they see an interview in the papers or on TV. Many will only know when they notice the new release on the shelves at the local CD store or find out that the band is playing a gig at the local club/venue. As a result a CD can drop out of the charts after a few weeks or months but still sell a few thousand or hundred copies a week worldwide. It doesn't sound like much but over time it adds up.
Lots of people, and this is very true of fan forum members, get too cought up on the latest chart position. In the long run many albums that reach #1 can end up selling fewer copies than those that only peaked at a lower position. Forget the chart number! Remember how many [b]copies are sold [/b]each week.
" Still, if your numbers are right. The sales in the first few weeks for Release were abysmal (less than 100,000) but the album still managed to sell almost 1,000,000. I'm curious to know where you get your numbers from. If they are correct, it means the commercial appeal of the PSB is in much better health than I thought."
Release had a hard time for two reasons. First, it was a change of style and this is always a turnoff for some people who are fans of long standing. After all they want more of the music they love not some new direction that they may or may not like.
Second, it did not get good press. Lots of reviews were bad or only OK. Word of mouth was not good. I really think that to much was made of the so-called "change in direction". I liked it from the first listen. It does have its bad spots. " The Night I Fell in Love" , god that song sucks. But overall i think it is a very good PSBs CD.
Of all PSBs CDs my least fav is Bilingual, its the only one I ever threw in the garbage!!! Please don't hurt me!!!!!!
I got it again when the remasters came out and it has grown on me!
I will answer all your questions below. But first I need to correct my numbers data. Sorry for this but I posted them from memory when I should have taken the time to have a re-look to be sure that my recollection was correct
Sales:
Release 800.000 or 950.000( read below)
Nightlife 1.200.000
Bilingual 1.500.000
Very 4.000.000
[b]Dreamcatcher2003 [/b]said
"I never thought Release did so well"
While it was thier least selling disk it still made PSB, and thier label of course, a nice profit
[b]BlueSwan said[/b]
"What's your source on this. Those numbers look very inflated to me."
With regard to Realese two sources; 800.000 according to Wikipedia and 950.000 acording to Neil in an interview.All others Wikipedia
[b]pierre said[/b]
" I'm a bit surprised by those numbers. I thought that Pet Shop Boys tended to sell massively in the first few weeks after release thanks to their loyal fanbase but that sales were diminishing rapidly after that. "
All established acts come out of the gate with a surge of sales generated by the hard-core fanbase. Hard-core refers to fans like you ( I assume/hope) and me who keep intouch with a band/singer/artists progress and will know the realese date of a new single/album months in advance.
However, we make up a relatively small portion of any given acts larger fanbase. Many more fans will only know about the new single/album when they hear it on the radio. Others, like me, who don't listen to the radio a great deal will become aware when they see an interview in the papers or on TV. Many will only know when they notice the new release on the shelves at the local CD store or find out that the band is playing a gig at the local club/venue. As a result a CD can drop out of the charts after a few weeks or months but still sell a few thousand or hundred copies a week worldwide. It doesn't sound like much but over time it adds up.
Lots of people, and this is very true of fan forum members, get too cought up on the latest chart position. In the long run many albums that reach #1 can end up selling fewer copies than those that only peaked at a lower position. Forget the chart number! Remember how many [b]copies are sold [/b]each week.
" Still, if your numbers are right. The sales in the first few weeks for Release were abysmal (less than 100,000) but the album still managed to sell almost 1,000,000. I'm curious to know where you get your numbers from. If they are correct, it means the commercial appeal of the PSB is in much better health than I thought."
Release had a hard time for two reasons. First, it was a change of style and this is always a turnoff for some people who are fans of long standing. After all they want more of the music they love not some new direction that they may or may not like.
Second, it did not get good press. Lots of reviews were bad or only OK. Word of mouth was not good. I really think that to much was made of the so-called "change in direction". I liked it from the first listen. It does have its bad spots. " The Night I Fell in Love" , god that song sucks. But overall i think it is a very good PSBs CD.
Of all PSBs CDs my least fav is Bilingual, its the only one I ever threw in the garbage!!! Please don't hurt me!!!!!!
"Not everyone is lucky enough to understand how delicious it is to suffer"
- glennjridge
- Posts: 8205
- Joined: Sat 01 Nov 2003, 9:28 pm
my personal opinion is that they are still enough of a consistent CD mover to not have to worry about losing record contracts.
I mean I bet alot of labels have alot more misses with new bands that dont even sell 10,000 so they are happy to have a band that cant at least move in the hundreds of thousands each time.
I mean I bet alot of labels have alot more misses with new bands that dont even sell 10,000 so they are happy to have a band that cant at least move in the hundreds of thousands each time.
- MD
- Posts: 655
- Joined: Wed 07 Jun 2006, 8:00 am
[quote="glennjridge"]my personal opinion is that they are still enough of a consistent CD mover to not have to worry about losing record contracts.
I mean I bet alot of labels have alot more misses with new bands that dont even sell 10,000 so they are happy to have a band that cant at least move in the hundreds of thousands each time.[/quote]
This is very much the case with the Boys. Excluding Release they have been a surething for at least 1 million copies. Fundamental could sell 200.000 less copies than Release and still make good money.We will have to wait and see but it looks like Fun will, at the least, outsell Release.
Can't say for sure, no soundscan til 91, but my guess is that Very was most likely the boys best selling album. A bit of suprise given most people think the band was at its most popular during the 80s.
I mean I bet alot of labels have alot more misses with new bands that dont even sell 10,000 so they are happy to have a band that cant at least move in the hundreds of thousands each time.[/quote]
This is very much the case with the Boys. Excluding Release they have been a surething for at least 1 million copies. Fundamental could sell 200.000 less copies than Release and still make good money.We will have to wait and see but it looks like Fun will, at the least, outsell Release.
Can't say for sure, no soundscan til 91, but my guess is that Very was most likely the boys best selling album. A bit of suprise given most people think the band was at its most popular during the 80s.
"Not everyone is lucky enough to understand how delicious it is to suffer"
- Shopper
- Posts: 2350
- Joined: Thu 30 Oct 2003, 12:52 pm
- Contact:
- Dreamcatcher2003
- Posts: 798
- Joined: Wed 17 Dec 2003, 6:45 pm
- Contact:
Is there any sales figure for PopArt? I guess it did well in Europe but mostly flopped in US and other parts of the world.
The CELL by Stephen King instantly hit number 1 in New York Times Bookseller Lists selling well over 200 thousand copies in three weeks. This affirms my opinion: People really need an occassional good horror read...
unless Fundamental sells significantly more than Release PSB themselves will make far less money/profit, if breaking even . Trevor Horn and orchestras don't come cheap and Release was self produced with little outside'help'. Introspective was their best selling album worldwide and Very would be hard pushed to match it IMHO. I remember Neil saying that Release had sold around 750000 and this was a significant period after its release, an extra 200,000 copies being sold seems very unlikely. It would be interesting to read a definate list of sales figuresMD wrote:glennjridge wrote: Fundamental could sell 200.000 less copies than Release and still make good money.We will have to wait and see but it looks like Fun will, at the least, outsell Release.
Can't say for sure, no soundscan til 91, but my guess is that Very was most likely the boys best selling album. A bit of suprise given most people think the band was at its most popular during the 80s.
Still waiting to hear the Adam Freeland, Manhattan Clique and Axwell mixes of Integral.
- Dreamcatcher2003
- Posts: 798
- Joined: Wed 17 Dec 2003, 6:45 pm
- Contact:
Ah it is probably the reason why they went so bold to pay Trevor Horn and the orchestration thanks to the profit they made from Release because except for Marr, they probably spent nothing on the album...oh plus the cost of those four different coversFlaffer wrote:
unless Fundamental sells significantly more than Release PSB themselves will make far less money/profit, if breaking even . Trevor Horn and orchestras don't come cheap and Release was self produced with little outside'help'.
The CELL by Stephen King instantly hit number 1 in New York Times Bookseller Lists selling well over 200 thousand copies in three weeks. This affirms my opinion: People really need an occassional good horror read...