Numb first song in three-four time?
- CroMagnon
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- Ramzy
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LIAC is palpably in 6/8 because the greater picture is of a rhythm in two-time rather than three-time (ONE two three TWO two three). Same goes for 'Numb' - listen to how the snare's used. One's classed as compound duple, one's simple triple. 6/8 is considered to be in twos.
Can you forgive her?'s only ostensibly 4/4 - the triplet divisions aren't that rapid. The swingbeat in Seriously? is far more subtle (by which I mean fast). I don't think the PSB have ever written a song in 3/4.
If you're not convinced about 'Numb', listen to, say, 'Death of an interior decorator' by Death Cab For Cutie. THAT'S 3/4.
Can you forgive her?'s only ostensibly 4/4 - the triplet divisions aren't that rapid. The swingbeat in Seriously? is far more subtle (by which I mean fast). I don't think the PSB have ever written a song in 3/4.
If you're not convinced about 'Numb', listen to, say, 'Death of an interior decorator' by Death Cab For Cutie. THAT'S 3/4.
I must disengage your recreational music.
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diana
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I'm not convinced. See in your head a pear of dancers doing a waltz, and listen to LIAC. Do'nt fit.I think you are right, that is probably 6/8. Listen to Numb. Fits perfect. You can see the dancers floating over the dancefloor.Ramzy wrote:LIAC is palpably in 6/8 because the greater picture is of a rhythm in two-time rather than three-time (ONE two three TWO two three). Same goes for 'Numb' - listen to how the snare's used. One's classed as compound duple, one's simple triple. 6/8 is considered to be in twos.
Can you forgive her?'s only ostensibly 4/4 - the triplet divisions aren't that rapid. The swingbeat in Seriously? is far more subtle (by which I mean fast). I don't think the PSB have ever written a song in 3/4.
If you're not convinced about 'Numb', listen to, say, 'Death of an interior decorator' by Death Cab For Cutie. THAT'S 3/4.
Last edited by diana on Sun 04 Jun 2006, 9:58 pm, edited 1 time in total.
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- DominoDancing
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- Hillbilly
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It is indeed! We have an interesting difference between music and mathematics here: in maths, 3/4 and 6/8 are the same, while in music 6/8 is the same as 2/4!Ramzy wrote:LIAC is palpably in 6/8 because the greater picture is of a rhythm in two-time rather than three-time (ONE two three TWO two three). Same goes for 'Numb' - listen to how the snare's used. One's classed as compound duple, one's simple triple. 6/8 is considered to be in twos.
I 'm well aware of this as I am playing the clarinet in an orchestra whose speciality is - march music. Whether a march is written in 2/4 or 6/8 you always go 1-2, 1-2, left-right, left-right to it.
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TallThinMan
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Yeah, but so has "Always" by Erasure...TallThinMan wrote:Can You Forgive Her? is in 6/8 time and Love Is A Catastrophe is in 12/8 time. I know, because I have the sheet music for both. Did you know that Hit Music has a single measure that's in 5/4 time? That is weird!
The main part of Pink Floyd's "Money" is in 7/4 time.
Midnight Oil have made several songs, on their most experimental albums, that change time signature within the song: for example "Short memory" has the verses in 3/4 and a chorus that includes both 4/4 and 2/4 bars. And they also have a song with a guitar riff in 7/4.
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MarcoS
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Does anyone know whether "I made my excuses and left" is in 4/4 or something else?
I'm asking becasue the hi-hats (brilliant!) confuse me, they have a similar arrangment to Bjork's "Immature", which I'm pretty sure is not a 4/4 song
Anyone knows?
Marco
I'm asking becasue the hi-hats (brilliant!) confuse me, they have a similar arrangment to Bjork's "Immature", which I'm pretty sure is not a 4/4 song
Anyone knows?
Marco
"All women become like their mothers. That's their tragedy. Men don't, and that's theirs."
Oscar Wilde
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Tomas
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How bizarre!TallThinMan wrote:Can You Forgive Her? is in 6/8 time and Love Is A Catastrophe is in 12/8 time. I know, because I have the sheet music for both
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Burj
- davee
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6/8 (or 12/8) timed music usually has a strong beat at the start of each 6 (or 12) beats, as well as an emphasis on the first of each three beats. In 3/4, there is not usually any different stress between different bars.
I'll try to illustrate:
3/4: -..-..-..-..
6/8: *..-..*..-.. etc.
And, possibly:
12/8: *..-..-..-..*..-..-..-..
Don't know if that makes sense, but that's how I see it.
Just found http://en.wikipedia.org/wiki/Time_signature too - that talks about it
I'll try to illustrate:
3/4: -..-..-..-..
6/8: *..-..*..-.. etc.
And, possibly:
12/8: *..-..-..-..*..-..-..-..
Don't know if that makes sense, but that's how I see it.
Just found http://en.wikipedia.org/wiki/Time_signature too - that talks about it